Configuration I-VI, 1973, 2’52”, 35 mm
The film, preceded by very precise mathematical calculations and graphical charts, was the implementation and testing of the theoretical model. In the original version, the research on the typology of image and sound was to cover 12 layouts. After eliminating some of the records during editing, the artist focused on three “basic possibilities of camera movement”: horizontal linear movement, linear movement, vertical movement and diagonal linear movement. As a result, the film is a realization of detailed systems concerning the taxonomy of camera movements.
