Born in 1943 in Warsaw, lives and works in New York, Boston and Warsaw. A multimedia artist, art theoretician and university professor. Currently he is a professor of the Art, Design and the Public Domain at Harvard University, Cambridge. He also teaches at the Academy of Fine Arts in Warsaw. In 1968, he graduated from the Faculty of Industrial Design, Academy of Fine Arts in Warsaw. In 1970, he was appointed lecturer at the Warsaw Academy’s Faculty of Interior Design. He worked as an industrial designer, first (1968–1970) for the Unitra electronics conglomerate, then (1970–1977) for the PZO optical works in Warsaw. From 1968, he pursued interdisciplinary, experimental projects, such as sound performances with the composer and pianist Szábolcs Esztényi, as well as collaborating with the Polish Radio Experimental Studio. He initially presented his visual art at the Współczesna Gallery in Warsaw, then at the Foksal Gallery in Warsaw and the Akumulatory 2 Gallery in Poznań. In the 1970s, Wodiczko worked on the designs of ‘Vehicles’ referring to Poland’s socio-political reality at the time. In the second half of the 1970s, he started working with image projections in which be highlighted the ideological aspect of representation. Successive versions of those projects were developed following his relocation from Poland, first to Toronto (1970), then to Halifax (1978), Canada. In 1980 in Toronto, Wodiczko staged his first public projections. In 1986, he moved to New York City and worked on devices and vehicles designed for immigrants, veterans, the homeless and alienated: ‘Homeless Vehicle’ (1988–1989), ‘Poliscar’ (1991), ‘Alien Staff’ (1992), ‘Porte-Parole’ (1993), ‘Aegis’ (1998), ‘Dis-Armor’ (1999), or ‘War Veteran Vehicle’ (2008).
Since 1980, he has carried out over 90 projections in several dozen countries on different continents. Using transparencies and video streams, shown in galleries and museum spaces or projected on building walls and public monuments, charged with political and social meanings, the projections dealt with the issues of human rights, democracy, violence and alienation. Starting with ‘Town Hall Tower Projection’ (Kraków, 1996), the artist began animating city monuments and public buildings with images and voices of the projections’ participants. Krzysztof Wodiczko’s projects, the ‘Vehicles’ and ‘Instruments’ series and projections, reflect his critical-utopian strategy.
2021 Krzysztof Wodiczko: Portrait, Harvard Art Museum, Cambridge, Massachusetts
Interrogative Design: Selected Works of Krzysztof Wodiczko, Harvard University Graduate School of Design
2020 A House Divided…, Galerie Lelong & Co., New York
2017
Living Pictures, Profile Foundation, Warsaw
2017
Krzysztof Wodiczko: Instruments, Monuments, Projections, National Museum for Modern and Contemporary Art, Seoul
2016
Un-War and Positive Peace, Foundation for Art and Creative Technology, Liverpool Memory Disarmed, Profile Foundation, Warsaw
2015
Krzysztof Wodiczko. On Behalf of the Public Domain, Muzeum Sztuki in Łódź
2014
War Veteran Projection, MOCAK Collection, Museum of Contemporary Art in Krakow
2013
Abraham Lincoln and Bowery Mission, Profile Foundation, Warsaw
Krzysztof Wodiczko: Art of the Public Domain, Galeria Spokojna, Warsaw
Projection for Derry~Londonderry, Lumiere Festival, Derry~Londonderry
Art of the Public Domain, Galeria Labirynt, Lublin
OUT/Inside(rs), DOX Centre for Contemporary Art, Prague
War Veteran Projection, Main Market Square, Krakow Passage 1969-1979, Profile Foundation, Warsaw
2012
Art of the Public Domain, Profile Foundation, Warsaw
Art of the Public Domain, Galeria Sztuki Współczesnej BWA , Olsztyn
Abraham Lincoln: War Veteran Projection, New York
The New Mechelenians, Belgium
Arc de Triomphe, World Institute for the Abolition of War, Galeria Espace Croix-Baragnon, Toulouse
Perfomens: Sztuka, trauma, demokracja, Międzynarodowe Centrum Kultury, Krakow
2011
…Out of Here: The Veterans Project, Galerie Lelong, New York
Art of the Public Domain, Profile Foundation, Warsaw
Art of the Public Domain, PGS Sopot, Sopot, Polska
Survival Projection 2011, Yokohama, Kanagawa Arc de Triomphe in Paris, World Institute for the Abolition of War, Galeria Gabrielle Maubrie, Paris
The Abolition of War, Galeria WORK, London
War Veteran Projection, Glow Festival, Eindhoven, Eindhoven,
2010
Goście, Atlas Sztuki, Łódź, Polska
War Veteran Projection, Krasiński Palace, Grand Theatre – Polish National Opera, facade of the Warsaw Univeristy of Technology building, the side wall of a building very close to Krakowskie Przedmieście high street, Warsaw
Veteran Flame, Wzgórze Partyzantów, Wrocław
Memorial to the Abolition of Slavery, Nantes
If You See Something…, Narodowe Muzeum Sztuki Współczesnej, Tokio
2008
Pojazdy—Instrumenty, Signum Foundation Gallery, Poznań
2005
If You See Something. . . , Galerie Lelong, New York
Pomnikoterapia, Zachęta-Natonal Gallery of Art , Warsaw
Public Projections 1996–2004, Bunkier Sztuki, Kraków
2001
Projection a Tijuana, Galerie Gabrielle Maubrie, Paris
2000
The Hiroshima Projection, Galerie Lelong, New York
1999
The 4th Hiroshima Art Prize, Krzysztof Wodiczko, Hiroshima City Art Museum, Hiroshima (katalog) de Pavil Joens, Amsterdam
1997
Krzysztof Wodiczko. Porte-Parole, FRAC, Nantes
Krzysztof Wodiczko, Galerie Gabrielle Maubrie, Paryż
Xenology: Immigrant Instruments, University of North Texas Art Gallery, Denton, Texas
1996
Xenology: Immigrant Instruments, Galerie Lelong, New York
1995
Art Tower Mito, Japonia
Projekcja—Pokoj z widokiem, Galeria Foksal, Warsaw
Projects & Public Projections, 1969–1995, Centrum Sztuki Zamek Ujazdowski, Warszawa; De Appel Foundation, Amsterdam
Krzysztof Wodiczko, Ecole Nationale Superiure des Beaux-Arts, Paris
1993
Public Address: Krzysztof Wodiczko, Contemporary Arts Museum, Houston, Texas
1992
Galerie Gabrielle Maubrie, Paryż
Instruments, Projections, Vehicles, Fundacio Antoni Tapies, Barcelona
Muzeum Sztuki in Łodz
Public Address: Krzysztof Wodiczko, Walker Art Center, Minneapolis, Minnesota;Contemporary Art Museum, Houston, Texas
1991
Galerie Gabrielle Maubrie, Paryż
Poliscar, Josh Baer Gallery, Nowy Jork
1989
Hal Bromm Gallery, Nowy Jork
Krzysztof Wodiczko, Matrix 103, Wadsworth Atheneum, Hartford, Connecticut
Krzysztof Wodiczko: Projections, Galerie Gabrielle Maubrie, Paryż
New York City Tableaux: Tompkins Square, Exit Art, Nowy Jork; The Painted Bride Art Center, Filadelfia, Pensylwania; Portland Art Museum, Portland, Oregon; Washington Project for the Arts, Washington, DC; and Wexner
Center for the Visual Arts, Columbus, Ohio
1988
Kunstgeweberschule, Wien
La Jolla Museum of Contemporary Art, La Jolla
Public Image: Homeless Projects by Krzysztof Wodiczko and Dennis Adams, The Institute for Contemporary Art, The Clocktower Gallery, New York
Works, Hirshhorn Museum and Sculpture Garden, Washington, DC
1987
Counter-Monuments: Krzysztof Wodiczko’s Public Projections, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts (katalog)
The Real Estate Projection, Hal Bromm Gallery, New York
1986
49th Parallel, Centre for Contemporary Canadian Art, New York
Projekcje, Galeria Foksal, Warsaw
1985
Public Projections, Canada House Cultural Centre Gallery, London
Neuberger Museum, State University of New York at Purchase, Purchase, New York
Orchard Gallery, Derry
Public Projections, Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, Nova Scotia
Robert McLaughlin Gallery, Oshawa, Ontario
Ydessa Art Foundation, Toronto
1984
Hal Bromm Gallery, New York
1983
Hal Bromm Gallery, New York
Ydessa Art Foundation, Toronto
1982
Poetics of Authority: Krzysztof Wodiczko, Gallery of the South Australian College of Advanced Education, Adelaide
1981
Artspace, Peterborough, Ontario
Eye Level Gallery, Halifax, Nova Scotia,
Franklin Furnace, New York
Projections, The Great George Street Gallery, Charlottetown, Prince Edward Island
1980
Hal Bromm Gallery, New York
1979
Vehicles, Optica, Montreal; traveled to Eye Level Gallery, Halifax, Nova Scotia, Canada; and Gallery 76, Toronto
1978
Guidelines, Artists Space, New York and Hal Bromm Gallery, New York
1977
Galeria Akumulatory 2, Poznań
Guidelines, Campus Gallery, University of Guelph, Guelph, Ontario, Canada; A Space, Toronto
Lines on Art, Eye Level Gallery, Halifax, Nova Scotia
Lines on Culture, Hal Bromm Gallery, Nowy Jork; IDA Gallery, York
Uniwerystet, New York Ontario
Odniesienia, Galeria Foksal, Warsaw
1976
Drawings, Illusions, Lines, 1974–1976, Nova Scotia College of Art and Design, Halifax, Ontario Drawings of Lines, Vehicule, Montreal; traveled to A Space, Toronto; Gallery St. Petri, Lund
Linia. Galeria Foksal PSP, Warsaw Pokaz i rozmowa o linii, Galeria Akumulatory 2, Poznań
1975
Rysunki. Galeria Foksal PSP, Warsaw Krannert Center for the Performing Arts, University of Illinois, Urbana, Illinois
Drabina, Galeria Akumulatory 2, Poznań
NAME Gallery, Chicago, Illinois
1974
Róg, Galeria Akumulatory 2, Poznań
Krzysztof Wodiczko. Rysunek taboretu. Galeria Foksal PSP, Warsaw
1973
Krzysztof Wodiczko. Autoportret. Galeria Foksal PSP, Warsaw
Pojazd, Galeria Foksal, Warsaw
1972
Przejście, Galeria Współczesna, Warsaw
2022
DEDICATIONS, Profile Foundation, Warsaw
2021 Sculpture in Search of a Place, Zachęta – National Gallery of Art, Warsaw Architecture as Symbol, Text and Backdrop, MOCAK Museum of Contemporary Art, Krakow
2020 Red, Galerie Lelong & Co., New York Disegno, Profile Foundation, Warsaw Drawn By Head, Thought By Pencil Or Something Else, Archive of Ideas, Poznań
2019 Head in the Cloud, Museé de la Civilisation, Quebec City, Quebec Future and the Arts: AI, Robotics, Cities, Life – How Humanity Will Live Tomorrow, Mori Art Museum, Tokyo Rafael Lozano-Hemmer: Unstable Presence, Musée d’art contemporain de Montréal, Montréal
2018 Exercises in Freedom, Polish Conceptualism 1968 – 1981, Staatliche Kunstsammlungen Dresden, Dresden Motherland in Art, MOCAK Muzeum of Contemporary Art, Krakow Brand New: Art and Commodity in the 1980s, Hirschhorn Museum and Sculpture Garden, Washington DC Through the Soundproof Curtain. The Polish Radio Experimental Studio, ZKM | Zentrum für Kunst und Medien Karlsruhe, Karlsruhe
2017 Slides. The History of Projected Photography, Museé de L’Elysée Lausanne, Lausanne Second Life, Slought Foundation, Philadelphia REAL ESTATE: Dwelling in Contemporary Art, The Philip and Muriel Berman Museum, Ursinus College, Collegeville, Pennsylvania Cultural Hijack: the poetics of resistance and the politics of space, ARCHIP, Architectural Institute in Prague Future Shock, Site, Santa Fe, New Mexico
2016 Liverpool Biennale, Liverpool Procedures of 1970s Art, Profile Foundation, Warsaw Art Basel Unlimited, Basel Home Land Security, FOR-SITE Foundation, San Francisco MACBA Collection 31, MACBA Museum of Contemporary Art of Barcelona, Barcelona L’arte differente: MOCAK al MAXXI, Exhibition of works from the MOCAK Collection in Rome, MAXXI National Museum of 21st Century Arts in Rome, Rome
2015 What Is Social? Activity of the Ujazdowski Castle Centre for Contemporary Att in Public Space (1988–2014), Ujazdowski Castle Centre for Contemporary Art, Warsaw The Wall, Careof/DOCVA, Milan They Risked Their Lives…, POLIN Museum of the History of Polish Jews, Warsaw War and Peace, Labirynt Gallery, Lublin
2014
POKÓJ-wystawa o zniesieniu wojen, Kuntsi, Museum of Modern Art, Vaasa
Atlas nowoczesności. Kolekcja sztuki XX i XXI wieku, MS2, Łódź, Polska
30. wystawa Rady Europy, Potrzeba wolności. Sztuka europejska po 1945 roku, MOCAK, Muzeum Sztuki Współczesnej, Kraków L’avenir, Biennale de Montréal, Montréal Itinerant Belongings, Slought Foundation and Charles Addams Fine Arts Hall, University of Pennsylvania inSite: Cuatro ensayos de lo público, sobre otro scenario, La Tallera, Cuernavaca, Morelos, Mexico Re-Framing History, Galerie Lelong & Co., New York Cosmos Calling! Art and Science in the Long Sixties, Zachęta–National Gallery of Art, Warsaw
2013
Sounding the Body Electric. Experiments in Art and Music in Eastern Europe 1957-1984, Calvert 22 Gallery, London
Net – The Art of Dialogue , Profile Foundation, Warsaw
Beyond corrupted Eye. Akumulatory 2 Gallery, 1972-1990, MOCAK Museum of Contemporary Art, Krakow
W sercu kraju, Museum of Modern Art in Warsaw
2012
Sounding the Body Electric. Experiments in Art and Music in Eastern Europe 1957-1984, MS2, Łódź
Beyond corrupted Eye. Akumulatory 2 Gallery, 1972-1990, Zachęta-National Gallery of Art, Warsaw
2011
History in Art, MOCAK Museum of Contemporary Art, Kraków
Efekt Lucyfera, DOX Centre for Contemporary Art, Prague
2010
Powtórka z teorii widzenia, Centre for Contemporary Arts Ujazdowski Castle, Warsaw
Untitled, Profile Foundation, Warsaw
3XTak, Museum of Modern Art in Warsaw
References (second version), P.S.1, The Institute for Art and Urban Resources, Long Island City, New York
2009
Idee, Centre for Contemporary Arts Ujazdowski Castle, Warsaw
Unbuilt Roads, based on the book: Unbuilt Roads: 107 Unrealised Projects, Hatje Cantz (1997), ed. Hans Ulrich Obrist and Guy Tortosa, e-flux project space, New York
Recent Acquisitions, Miami Art Museum, Miami, Floryda
Projections: A Major Survey of Projection-Based Works in Canada, 1964–2007, Mackenzie Art Gallery, Toronto, Kanada
Home Sweet Home, Dorsky Gallery, Long Island City, New York
2008
Cold War Modern: Design 1945–1970, Victoria & Albert Museum, Londyn, Dialog: City, Denver, Colorado; we spółpracy z Democratic National Convention
Notes on Monumentality, Baltimore Museum of Art, Baltimore, Maryland
Person of the Crowd: The Contemporary Art of Flanerie, Neuberger Museum of Art
Purchase College, State University of New York, Purchase, New York
2007
MACBA at Frankfurter Kunstverein: Selection of Works from the Museu d’Art Contemporani de Barcelona, Frankfurter Kunstverein, Frankfurt nad Menem
Projections, Blackwood Gallery, University of Toronto at Mississauga, Mississauga, Ontario
Open City: Tools for Public Action, Eyebeam, New York
Sleeping and Dreaming, Deutsches Hygiene-Museum, Dresden; Wellcome Trust, London
2006
Civic Performance, University Art Gallery, Stony Brook University, Stony Brook, New York
Colleccio MACBA, Museu d’Art Contemporani de Barcelona, Barcelona
Polyphony of Images, Consulate General of Poland, New York
POZA, Real Art Ways, Hartford, Connecticut
The Message is the Medium, Jim Kempner Fine Art, New York
Less—Alternative Living Strategies, PAC—Padiglione d’Arte Contemporanea, Madrid
In Poland, That Is Where?,Centre for Contemporary Arts Ujazdowski Castle, Warsaw
2005
City Art, Center for Architecture, New York
Flashback: Revisiting the Art of the ‘80s, Kunstmuseum Basel
Moving Parts: Forms of the Kinetic, Museum Tinguely, Basel
Points of View: Landscape and Photography, Galerie Lelong, New York
SlideShow, Baltimore Museum of Art, Baltimore; traveled to the Contemporary Arts Center, Cincinnati, Ohio (katalog)
Touch Me: Design and Sensation, Victoria & Albert Museum, London
Toward the Future, Hiroshima City Museum of Contemporary Art, Hiroshima
2004
Ambulantes: Cultura Portatil, Andaluz de Arte Conemporaneo, Sewilla
Hilchot Shcheinim: Chapter B, Israeli Center for Visual Arts, Holon, Israel
L’art polonais du 20e siecle, Hotel des Arts, Toulon, Francja
Laocoon Devoured, Artium, Basque Museum of Contemporary Art, Vitoria-Gasteiz
The Freedom Salon, Deitch Projects, New York
The Interventionists: Art in the Social Sphere, Mass MoCA, North Adams, Massachusetts
Watch What We Say, Schroeder Romero, New York
2003
Aliens in America: Others in the USA, Lamont Gallery at the Frederick R. Mayer Art
Center, Phillips Exeter Academy, Exeter, New Hampshire
Bright Lights Big City, David Zwirner, New York
Global Priority, Herter Art Gallery, University of Massachusetts, Amherst, Massachusetts
Kyoto Biennal, Kyoto
Micro Politicas: Arte y Contidianidad, Espai d’art Contemporani de Castello, Castello, Hiszpania
Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York
2002
Artecidade Zonaleste, Sao Paulo
Designs for the Real World, Generali Foundation, Wien
Interrogative Design Group, MIT Wolk Gallery, MIT School of Architecture and Planning, Massachusetts Institute of Technology, Cambridge, Massachusetts
Yokohama Triennale, Japan Foundation, Yokohama
2001
Around 1988, P.S.1, Long Island City, New York
2000
L’autre moitie de l’Europe, Galerie Nationale du Jeu de Paume, Paris
Landscape-Traffic-Syntax, InSITE 2000, San Diego
The End: An Independent Vision of the History of Contemporary Art, Exit Art, New York
Biennale di Architettura di Venezia, Venice
Whitney Biennial, Whitney Museum of American Art, New York
Comfort Zone: Furniture by Artists, PaineWebber Art Gallery, New York
Conceptual Reflection in Polish Art: Experiences in Discource 1965–1975, Centre for Contemporary Art Ujazdowski Castle, Warsaw
Let Freedom Ring, ICA Boston, Boston, Massachusetts
The Handle, Muzeum Szuki in Łodź
The Hanukkah Project: A Festival in Lights, The Jewish Museum, New York
Traffic, Kulturabteilung, support: the Styrian Government, Graz
1997
Sztuka z Polski 1945–1995, Műcsarnok Szepmuveszeti Muzeum, Budapest
In Celebration of 20 Years: Photography, Hal Bromm Gallery, New York
1996
Horizons—14 Polish Contemporary Artists, Sonje Museum of Contemporary Art, Seul
Living Units, McDonald Stewart Art Center, Guelph, Ontario, Kanada
NowHere (Walking and Thinking and Walking), Louisiana Museum of Modern Art, Humlebak, Dania
Project for Survival, The National Museum of Modern Art, Kyoto; National Museum of Modern Art, Tokyo
The Luminous Image, The Alternative Museum, New York
1995
ARS ‘95, Museum of Contemporary Art, Helsinki
Contemporary Canadian Art: Beyond (National) Identities, Setagaya Art Museum, Tokyo; traveled to National Museum of Modern Art, Kyoto and Museum of Modern Art, Sapporo, Hokkaido
TRIALOG, Gropius Bau, Berlin
Gdzie jest brat twoj, Abel?, Zachęta-National Gallery of Art, Warsaw
1994
Camera Politics, Pittsburgh Center for the Arts, Pittsburgh, Pensylwania
Europa, Europa, Kunstmuseum Bonn (organizers: Pontus Hulten i Ryszard Stanisławski)
Garbage, Real Art Ways, Hartford, Connecticut;Thread Waxing Space, New York
La Ville, Centre Georges Pompidou, Paris
Light Into Art: From Video to Virtual Reality, Contemporary Arts Center, Cincinnati, Ohio
Paris, ville lumiere: projets d’artistes pour l’espace public parisien, Fondation Electricite‚ organized by Direction des Affaires Culturelles de la Mairie de Paris, Paris
Revir/Territory, Kulturhuset, Stockholm
The Little House on the Prairie, Marc Jancou Gallery, London
1993
2eme Biennale d’Art Contemporain, Maison de Lyon
Arbeitskreis No. 2, Riverviews Danube Canal, Wien
At the Edge of Chaos: New Images of the World, Louisiana Museum of Modern Art, Humlebak
Fireproof, Die Wandelhalle, Forum fur Kunst, Kolonia
In and Out of Place: Contemporary Art and the American Social Landscape, Museum of Fine Arts, Boston, Massachusetts
In Transit, New Museum of Contemporary Art, New York
Polska, Art Tower Mito, Ibaragi, Japan
Washington University Art Gallery, Seattle, Washington
1992
Ateliers d’Artistes de la Ville de Marseille, Marsylia
Beyond Glory: Re-Presenting Terrorism, Maryland Institute College of Art, Baltimore, Maryland
Muzeum Sztuki w Łodzi, 1931–1992: Collection—Documentation—Actualite, Musee d’Art Contemporain and Espace Lyonnais d’Art Contemporain, Lyon
Pour la Suite du Monde (For the Continuation of the Planet), Musee d’Art
Contemporain de Montreal, Quebec
The Power of the City, the City of Power, Whitney Museum of American Art, at Downtown Federal Reserve Plaza, New York
1991
Artists of Conscience: 16 Years of Social Political Commentary, Alternative Museum, New York
Devices, Josh Baer Gallery, New York
El Sueno Imperativo/The Imperative Dream, Circulo de Bellas Artes, Madryd
Night Lines, Centraal Museum, Utrecht
Power: Its Myths and Mores in American Art, 1961–1991, Indianapolis Museum of Art, Indiana
The Art of Advocacy, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
The Hybrid State, Exit Art, New York
The Political Arm, John Weber Gallery, New York
The Projected Image, San Francisco Museum of Modern Art, San Francisco
1990
A New Necessity, First Tyne International, Newcastle-upon-Tyne
Galerie Gabrielle Maubrie, Paris
Illegal America, Exit Art, New York
Life-Size: A Sense of the Real in Recent Art, Israel Museum, Jerusalem
Rhetorical Image, New Museum of Contemporary Art, New York
The Decade Show, New Museum of Contemporary Art, New York
The Finitude of Freedom, DAAD, Berlin
1988
Contemporary Art, The Clocktower, New York
Image World: Art and Media Culture, Whitney Museum of American Art, New York
Les Magiciens de la Terre, Centre Georges Pompidou, Paris
Public Discourse, Real Artways, Hartford, Connecticut
Temporary Public Art, The Storefront for Art and Architecture, New York
The Photography of Invention: American Pictures of the 1980s, National Museum of American Art, Washington
The Presence of Absence, Independent Curators Incorporated, New York
Vision and Unity, Van Reekum Museum, Apeldoorn
WaterWorks, R.C Harris Water Filtration Plant, Toronto, Ontario
Wiener Festwochen, Wien
1987
Art against AIDS, American Foundation for AIDS Research, New York
Documenta 8, Kassel
Immigrants and Refugees: Heroes or Villains, Exit Art, New York
Liberty and Justice, The Alternative Museum and Group Material, New York
Poetic Injury: The Surrealist Legacy in Postmodern Photography, The Alternative Museum, New York
1986
XLII Biennale di Venezia, Venice
Expanding Commitment, Maryland Institute, College of Art, Baltimore
Lumieres: Perception—Projection, Centre International d’Art Contemporain, Montreal
Nexus Center of Contemporary Art, Atlanta, Georgia
Real Property, City Without Walls, Newark, New Jersey
Ten, Hal Bromm Gallery, New York
The Interpretation of Architecture, YYZ Gallery, Toronto
Wallworks, John Weber Gallery, New York
1985
Aurora Borealis, Centre International d’Art Contemporain, Montreal
Between Science and Fiction, 18th Bienal Internacional, Sao Paolo
Eastern Europeans in New York, El Bohio, New York
Everything and Much More, Kunstmuseum Bern, Berno
1984
Body Politic, Tower Gallery, New York
New York/Canada, 49th Parallel, Centre for Contemporary Canadian Art, Nowy Jork
Public Comments, Center on Contemporary Art, Seattle, Washington
1983
Artists from Canada: Rooms and Installations, Wurttembergischer Kunstverein, Stuttgart
Presences Polonaises: l’Art vivant autour du Musee de Lodz, Centre Georges Pompidou, Paris
Social Space, Walter Phillips Gallery, Banff, Alberta
1982
The Biennale of Sydney, Art Gallery of New South Wales, Sydney
1981
Expanded Photography 5, Internationale Biennale, Wien
1979
Bienal de Desenho, Lisbon
L’Avanguardia Polacca, 1910–1978, Palazzo delle Esposizioni, Rzym; traveled to Teatro di Falcone, Genewa; and Museo Ca Pesaro, Venice
Ten Polish Contrmporary Artists from Collection of the Muzeum Sztuki in Łodz
Gladstone Court, Canongate, Edinburgh
The Biennale of Sydney, Art Gallery of New South Wales, Sydney
1977
22 Polnische Kunstler aus dem Besitz des Muzeum Sztuki, Łódz, Kunstverein, Kolonia
Documenta 6, Kassel
Moving, Hal Bromm Gallery, New York
1975
Biennale de Paris, Paris
1972
Galeria Adres, Łodź
1971
Galeria Akumulatory 2, Poznań
Galeria Wspołczesna, Warsaw
Nowe zjawiska w sztuce polskiej 1960–1970, Zielona Góra
1970
Informacja—Wyobraźnia—Działanie, Galeria Współczesna, Warsaw
Szabolc Esztenyi, Galeria 10, Academy of Fine Arts, Warsaw
1969
Biennale de Paris, Paryż
1965
13th Bienal Internacional, Sao Paulo
